A photograph of a photocopy imposed on a wall in Brussels Schaerbeek. The photocopies were first stitched together and then sellotaped strategically to the wall (which displayed a treatise on the politics of sex; the remnant of the previous exhibition). Here we see photocopies employed as imps of legend, there to obfuscate, upturn or confuse. No answer need be given. Image sources, Polish film posters, and an pencil illustration from a book about the Black Death. Part of the opening – and ending – of the inaugural Sleeplife residency (KAK Brussels, December 8-12, 2019, CE). The Photocopier can’t be arsed turning this image the right way round.