A photograph of a string of photocopies and a drawing imposed on a wall in Brussels Schaerbeek. The photocopies were first stitched together and then sellotaped strategically to the wall (which displayed a treatise on the politics of sex; the remnant of the previous exhibition). Here we see photocopies employed as imps of legend, there to obfuscate, upturn or confuse. No answer need be given. Image sources are: Polish film posters, Czech communist-era toys made from industrial waste, images from the Photocopier’s own imagination and a pencil illustration from a book about the Black Death. Part of the opening – and ending – of the inaugural Sleeplife residency (KAK Brussels, December 8-12, 2019, CE). Next to the copies we see a long strip of wallpaper with the Photocopier’s drawings of skulls and a remarkable silver bear head found at the Residency, denoting frustration at his lack of sleep on the first night. This was taken during the show. The dingy light appeals.
A photograph of a photocopy and a drawing imposed on a wall in Brussels Schaerbeek. The photocopies were first stitched together and then sellotaped strategically to the wall (which displayed a treatise on the politics of sex; the remnant of the previous exhibition). Here we see photocopies employed as imps of legend, there to obfuscate, upturn or confuse. No answer need be given. Image sources are: Polish film posters, Czech communist-era toys made from industrial waste, images from the Photocopier’s own imagination and a pencil illustration from a book about the Black Death. Part of the opening – and ending – of the inaugural Sleeplife residency (KAK Brussels, December 8-12, 2019, CE). Next to the copies we see a long strip of wallpaper with the Photocopier’s drawings of skulls and a remarkable silver bear head found at the Residency, denoting frustration at his lack of sleep on the first night. This was taken during the show. The dingy light appeals.