A photograph of a photocopy and a drawing imposed on a wall in Brussels Schaerbeek. The photocopies were first stitched together and then sellotaped strategically to the wall (which displayed a treatise on the politics of sex; the remnant of the previous exhibition). Here we see photocopies employed as imps of legend, there to obfuscate, upturn or confuse. No answer need be given. Image sources are: Czech communist-era toys made from industrial waste, and an approximation (from memory) of the horses drawn by C19th illustrator, Edmund Dulac. Part of the opening – and ending – of the inaugural Sleeplife residency (KAK Brussels, December 8-12, 2019, CE). This was taken during the show. The light (from a ground light used to illuminate other works) may lend a certain poignancy to the juxtaposition of the slogan and children’s toy and horse drawings.