June 2020 - Museum of Photocopies

Doggerland Blues #4

What does the original matter when you’ve got a copy that cost more? It’s much more fun to be in Doggerland, Doggerland under Sea, where nothing ever matters, to you or to me.

Doggerland #12 — Digital photo of a black and white photocopy (on 200gsm coloured paper of a freehand drawing (using dip pen and Indian ink) on a postcard made of heavy watercolour paper. The images depict imaginary inhabitants of Doggerland, a once vast stretch of land that joined mainland Europe and the British Isles. Now it lies under the English Channel and the North Sea. At the time of writing, each original postcard (of a series of 14) is in the post, going elsewhere, maybe never to reach where they’ve been sent; like the subjects depicted on them.

Doggerland #13 — Digital photo of a black and white photocopy (on 200gsm coloured paper of a freehand drawing (using dip pen and Indian ink) on a postcard made of heavy watercolour paper. The images depict imaginary inhabitants of Doggerland, a once vast stretch of land that joined mainland Europe and the British Isles. Now it lies under the English Channel and the North Sea. At the time of writing, each original postcard (of a series of 14) is in the post, going elsewhere, maybe never to reach where they’ve been sent; like the subjects depicted on them.

Doggerland #14 — Digital photo of a black and white photocopy (on 200gsm coloured paper of a freehand drawing (using dip pen and Indian ink) on a postcard made of heavy watercolour paper. The images depict imaginary inhabitants of Doggerland, a once vast stretch of land that joined mainland Europe and the British Isles. Now it lies under the English Channel and the North Sea. At the time of writing, each original postcard (of a series of 14) is in the post, going elsewhere, maybe never to reach where they’ve been sent; like the subjects depicted on them.

Doggerland Blues #3

Between the worlds of Post Card and Pod Cast lies a new map of hell. It’s much more fun to be in Doggerland, Doggerland under Sea, where nothing ever matters, to you or to me.

Doggerland #9 — Digital photo of a black and white photocopy (on 200gsm paper of a freehand drawing (using dip pen and Indian ink) on a postcard made of heavy watercolour paper. The images depict imaginary inhabitants of Doggerland, a once vast stretch of land that joined mainland Europe and the British Isles. Now it lies under the English Channel and the North Sea. At the time of writing, each original postcard (of a series of 14) is in the post, going elsewhere, maybe never to reach where they’ve been sent; like the subjects depicted on them.

Doggerland #10 — Digital photo of a black and white photocopy (on 200gsm paper of a freehand drawing (using dip pen and Indian ink) on a postcard made of heavy watercolour paper. The images depict imaginary inhabitants of Doggerland, a once vast stretch of land that joined mainland Europe and the British Isles. Now it lies under the English Channel and the North Sea. At the time of writing, each original postcard (of a series of 14) is in the post, going elsewhere, maybe never to reach where they’ve been sent; like the subjects depicted on them.

Doggerland #11 — Digital photo of a black and white photocopy (on 200gsm paper of a freehand drawing (using dip pen and Indian ink) on a postcard made of heavy watercolour paper. The images depict imaginary inhabitants of Doggerland, a once vast stretch of land that joined mainland Europe and the British Isles. Now it lies under the English Channel and the North Sea. At the time of writing, each original postcard (of a series of 14) is in the post, going elsewhere, maybe never to reach where they’ve been sent; like the subjects depicted on them.

Doggerland Blues #2

Away from the internet, away from the affray, away from the melting Liquid Crystal Display. It’s much more fun to be in Doggerland, Doggerland under Sea, where nothing ever matters, to you or to me.

Doggerland #6 — Digital photo of a black and white photocopy (on 200gsm paper of a freehand drawing (using dip pen and Indian ink) on a postcard made of heavy watercolour paper. The images depict imaginary inhabitants of Doggerland, a once vast stretch of land that joined mainland Europe and the British Isles. Now it lies under the English Channel and the North Sea. At the time of writing, each original postcard (of a series of 14) is in the post, going elsewhere, maybe never to reach where they’ve been sent; like the subjects depicted on them.

Doggerland #7 — Digital photo of a black and white photocopy (on 200gsm paper of a freehand drawing (using dip pen and Indian ink) on a postcard made of heavy watercolour paper. The images depict imaginary inhabitants of Doggerland, a once vast stretch of land that joined mainland Europe and the British Isles. Now it lies under the English Channel and the North Sea. At the time of writing, each original postcard (of a series of 14) is in the post, going elsewhere, maybe never to reach where they’ve been sent; like the subjects depicted on them.

Doggerland #8 — Digital photo of a black and white photocopy (on 200gsm paper of a freehand drawing (using dip pen and Indian ink) on a postcard made of heavy watercolour paper. The images depict imaginary inhabitants of Doggerland, a once vast stretch of land that joined mainland Europe and the British Isles. Now it lies under the English Channel and the North Sea. At the time of writing, each original postcard (of a series of 14) is in the post, going elsewhere, maybe never to reach where they’ve been sent; like the subjects depicted on them.

God, the art world bores me. Being an artist? You might as well be an astronaut. It’s all so serious and full of important things to do. It’s much more fun to be in Doggerland, Doggerland under Sea, where nothing ever matters, to you or to me.

Month: June 2020

Doggerland Blues #4

Doggerland Blues #3

Doggerland Blues #2

Doggerland Blues #1